Comparative Study of Colored Stained Glass in Gothic Art with Sash-window making (Orosi Sazi) in Qajar Era; Case study of Charter Church and Salaar Saeid Mansion

In Europe, the use of colored stained glass in theconstruction church windows was common,reaching their peak during Gothic period. On theother hand, tendency to glass, calledOrosi (Sash), Iranian architecture began theSafavid era and, under influence culture and art, became a genuine art called Girih tiles; this flourished unprecedentedly Qajar era. The present study aimed identify intercultural links with elements borrowed from Western by comparing structural techniques, color, patterns, gender, impact conceptual factors such as light tries possible similarities between two methods based on matching samples outstanding structures (Charter Church Salaar Saeid Mansion). Since Iran, territory that is always at center cultural exchanges, asking about relationship trend its roots can be helpful better understanding art. practical-case methodologically descriptive-analytical study. data were collectedusing documentary (library). Findings haveshown tradition hasexisted more European lands, formation Iran influenced imported components. It claimed sash-window making (Orosi Sazi) continuation same although it natural cultural...